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After pelicans and egrets, I started to paint other birds. These owl paintings were opportunities to paint beautiful birds in breathtaking landscapes. I can't imagine a more perfect combination of subjects for an artist to paint than birds and landscapes. Everyone should try it! To see more of my work, read on, or go to http://www.fine-art.com/marte8
In 2006, I started to paint owls. I painted the Great Snowy White owl first, then the Great Grey. They were my Christmas cards for 2006. (24" x 48")
The eagle, like the wolf, is a favorite subject for artists who love to paint wildlife in the snow. I call this Glacier Eagle. It was my Christmas card for 2005.
The wolf family was painted in 2003. Lots of artists were painting wolves, an endangered species that has been reintroduced to the wild places where they were hunted nearly to extinction. They are to me a symbol of hope and redemption.
Since it's Christmas, I thought I would post my Christmas cards here from years past. This one is from 2004.
After the dotcom crash, I began to paint seascapes. They were my refuge from the insanity of the high tech world...
I had gone back to school in 1998 to study web design, because that's where all of the graphic design jobs were. By 1999 I was at Oracle doing HTML. But by 2001, the game appeared to be over. Every programmer on the planet was working on Y2K (remember?) and everyone else was building web pages. Then, everything fell off a cliff. Now what? I thought I might as well do some paintings...
See more pelicans below, and on www.fine-art.com/marte8
Seascapes may not be considered "art" by the powers that be in the art world, but I think it's like playing the classics for a musician - how can you keep a pianist from playing Beethoven's Moonlight Sonata? It may even take a lifetime to get it right, but someone who is obsessed will never give up. The devotion that it takes humbles the spirit and transforms the ego into submission to the beauty of the planet...
This seascape was just rocks and water until I added the pelicans... See more pelicans below, and on www.fine-art.com/marte8
My daily painting...
These little landscapes take less than an hour, and reinforce my confidence about color and light. Compositions are minimal, and features of hills and trees are nothing but silhouettes.
My daily paintings...
Daily paintings are intended to be preliminary sketches. I often do three of the same subject at one sitting. When I have the right colors mixed, and extra paint in my brush, there is no sense rinsing it all out. This way I get more practice, more familiarity with the subject. Sometimes I place them side by side, and get a triptych. These are 6" x 6". I call them my "Soggy Fields." (Northern California is so blessed with rain!)
To see more visit www.fine-art.com/marte8.
My daily paintings...
Palm trees against the sunset is a typical California subject. I have done many of these through the years, and never tire of them. From them, I learned much about painting skies. This one is 6" x 8".
My daily paintings...
I was raised in Western Pennsylvania, but my family moved to California in 1963. So my sense of landscape crosses the continent. Palm trees against the sunset is a typical California subject. I have done many of these through the years, and never tire of them. From them, I learned much about painting skies. This one is 6" x 8".
People have been asking to see more of my daily paintings...
Sometimes I do two or three of the same subject at one sitting. When I have the right colors mixed, and extra paint in my brush, there is no sense rinsing it all out. This way I get more practice, and more familiarity with the subject. I have two of these lonesome pines. They are only 4" x 6".
My daily paintings...
Daily paintings are intended to be preliminary sketches for more finished pieces. To see more finished pieces that followed this little one, go to my older posts, or visit www.fine-art.com/marte8.
My daily paintings follow the seasons...
In the winter, I tend to do snow scenes, and every Christmas I do Christmas cards. This one is 8" x 12".
My daily paintings...
explore a variety of subjects and scenes. Hills and mountains, sunsets and beaches, clouds and trees and rocks and more trees... There are so many wonderful subjects, it's hard to choose my favorite.
This little landscape is 6" x 6".
People have been asking to see more of my daily paintings...
I usually do three of the same subject at one sitting. When I have the right colors mixed, and extra paint in my brush, there is no sense rinsing it all out and throwing it away. This way I get more practice, and more familiarity with the subject.
These mountains are all 8" x 10". They will eventually be backgrounds for pine trees.
People have been asking to see more of my daily paintings...
I usually do three of the same subject at one sitting. When I have the right colors mixed, and extra paint in my brush, there is no sense rinsing it all out and throwing it away. This way I get more practice, and more familiarity with the subject. I look at nature photography alot, but I generally paint from memory.
People have been asking to see more of my daily paintings...
I usually do three of the same subject at one sitting. When I have the right colors mixed, and extra paint in my brush, there is no sense rinsing it all out and throwing it away. This way I get more practice, and more familiarity with the subject.
People have been asking to see more of my daily paintings...
I usually do three of the same subject at one sitting. When I have the right colors mixed, and extra paint in my brush, there is no sense rinsing it all out and throwing it away. This way I get more practice, and more familiarity with the subject. These are 8" x 12".
People have been asking to see more of my daily paintings...
I usually do three of the same subject at one sitting. When I have the right colors mixed, and extra paint in my brush, there is no sense rinsing it all out and throwing it away. This way I get more practice, and more familiarity with the subject.
People have been asking to see more of my daily paintings...
I usually do three of the same subject at one sitting. When I have the right colors mixed, and extra paint in my brush, there is no sense rinsing it all out and throwing it away. This way I get more practice, and more familiarity with the subject.
After the dotcom crash, I began to paint seascapes. They were my refuge from the insanity of the high tech world...
I had gone back to school in 1998 to study web design, because that's where all of the graphic design jobs were. By 1999 I was at Oracle doing HTML. But by 2001, the game appeared to be over. Every programmer on the planet was working on Y2K (remember?) and everyone else was building web pages. Then, everything fell off a cliff. Now what? I thought I might as well do some paintings...
Seascapes may not be considered "art" by the powers that be in the art world, but I think it's like playing the classics for a musician - how can you keep a pianist from playing Beethoven's Moonlight Sonata? It may even take a lifetime to get it right, but someone who is obsessed will never give up. The devotion that it takes humbles the spirit and transforms the ego into submission to the beauty of the planet...
This (48 x 36) seascape was just rocks and water until I added the pelicans... See more pelicans below, and on www.fine-art.com/marte8
Landscapes and seascapes are still my favorite, though.
This one is smaller than most of my seascapes - about 8 x 10. It took less than a day to finish. The location is in Carmel - Point Pinos.
Occasionally, I go back to painting people.
This painting of Miles Davis, the jazz great, started as a pen and ink drawing, and then evolved into a complete painting. If I can get enough people interested, I would like to publish giclees (prints on canvas.) That way, I can keep my original, and sell affordable reproductions to other jazz-lovers.
Over the years, my seascapes have developed into backgrounds for birds...
Some of them were finished for a long time before I added birds. Once I did, they came fully to life. I still develop the backgrounds before I paint the birds in the foreground. My little niece, Amber, once remarked that my studio looked like the "Pelican Palace."
I started painting pelicans a couple of summers ago. I have always painted birds, I now have several large finished paintings of pelicans. They seem to have a number of virtues: reserved, comic and graceful, wise and unpretentious. Definitely not taken with fads or trends. Not as nervous, curious, or aggressive as gulls. They mind their own business. These are shown at Natural Bridges State Beach in Santa Cruz.
Email me about the availability of prints and giclees...
I paint daily, which should not be unusual for a painter!
Any serious artist should work at their art every day, and a professional should work 8 hours per day. Why? Because that's what other professionals do! The daily painting "phenomenon" is as old as the hills. It used to be referred to as "ala prima" - "all at once", or "in one sitting." What is new is people being able to leave other occupations and do what they have always wanted to do - paint.
I have also done a number of intaglio etchings. This etching of a seahorse was done in the early 1970's at art school. Drawn on a metal plate with a compass needle, it was then put through a press to created a print. (Rembrandt also did etchings, in addition to his marvelous paintings.) I refer to my seahorse drawings and etchings as my "Hippocampus" work; the hippocampus was so-named because it resembled a seahorse to the doctors who first dissected it. A lovely woman neuroscientist bought one of these from me once.
My watercolors and etchings keep combining and recombining. The seashell is an icon for me symbolising my father, who brought this one home from the beach in WWII before I was born. Sorry about the watermarks - I have gotten thousands of clicks over the years. I just wonder where they are all going.
Requiem is the mass for the dead. This piece started as an etching of an American eagle, shot by a patriotic hunter, of course, and evolved into a combination watercolor and pen and ink.
The iconic face of Lincoln is unmatched in drama and presence. I have tried several different versions, in both pen and ink and charcoal, over textured backgrounds. You can see more of these on D'art. http://fine-art.com/marte8
At some point, I started to combine my figurative work with my etchings and watercolors. These became the bulk of my contemporary work. They took on a graphic editorial illustration feel, and even explored historical elements, like the Lincoln face.
I also did some figurative work in art school. Here is a portrait of my friend, Jeri, done in 1976. I call it "Miroku" - a classic Japanese pose of the dreaming Buddha.
In art school, I did a number of drawings for a scientific illustration class. My favorite of these was the iguana. It started as a pointalism project (done only with black dots) and advanced to a pen and ink drawing. I also did an etching of it (drawn on a metal plate with a compass needle.)
I had always been fascinated by jellyfish, but it was a rather unorthodox subject matter, even for wildlife painters... Encouraged by the Visionary painter, Bill Martin, whose work hangs in the SFMOMA, I painted a series of them, starting in 1973.
While I was at Lockheed in the 1980's, I had very little time to paint... I was raising my two children and holding down a fulltime job. But I did manage to paint several large finished wildlife paintings: the Falcons, the Discus, and the Rhinos.
While I was at Lockheed in the 1980's, I had very little time to paint... I was raising my two children and holding down a fulltime job. But I did manage to paint several large finished wildlife paintings: the Falcons, the Discus, and the Rhinos. I started painting seascapes and landscapes a few years later...
Since my childhood in the Carnegie Museum of Natural History, I have been obsessed with birds. Wildlife in general amazes me, but birds in particular are fascinating. Raptors, the birds of prey, are exciting for their drama and fearlessness. They also made me aware of environmental issues. These beautiful peregrine falcons were so endangered in the 1970's that there were only 120 left in California!
Through college and thirty years of my career, I made a
living in Silicon Valley as a graphic designer, commercial artist, technical illustrator, and art teacher. In 1998, I started to build web pages (like everyone else on the planet.) When the dotcom crash in 2001 eliminated the contract jobs that I subsisted on, I started to paint fulltime. As the jobs came slowly back, I painted between contracts, and finished all of the "early work" that every artist does - all of the familiar classics of the art world, everything that I didn't get to complete in art school. I'm still at it...
I started painting as a child in western Pennsylvania. My mother was an accomplished artist, and she sent me to formal art lessons at the Carnegie Museum of Natural History in Pittsburgh. Because I learned to draw in that setting, among dinosaur skeletons, geological specimens, anthropological artifacts and classical Greek architecture, to name only a few, I always saw art and history and science as inseparable. At the "Tam O'Shanters" Carnegie Tech's children's art program, I was required to take notes from a formal lecture on one side of the paper, and do a color crayon drawing based on my notes on the other side. We had to perform well, or we were not invited back. Several times, I was asked to recreate my drawings "at easel" - on stage - as a recognition of my skill. In 1963, my parents moved the family to California, and I was disconnected from those lessons, but I continued to draw and paint. Eventually, I majored in art in college.
I paint daily, which should not be unusual for a painter!
Any serious artist should work at their art every day, and a professional should work 8 hours per day. Why? Because that's what other professionals do! The daily painting "phenomenon" is as old as the hills. It used to be referred to as "ala prima" - "all at once", or "in one sitting." What is new is people being able to leave other occupations and do what they have always wanted to do - paint.
